01 · Keyframe-precision edits
Frame-accurate control over every property.
Position, scale, opacity, volume, speed, crop, color — every clip property is keyframable. Keyframes are placed in source time, so they survive every downstream cut, split, and reorder. Your agent makes cuts a senior editor would sign off on.
02 · Maximum token efficiency
Hierarchical context, on demand.
Your agent reads a project overview first, drills into per-scene context only where it needs to, and asks for per-second precision only at the cut points it cares about. Long-form projects don't blow out the context window. Editing a 2-hour podcast stays close to the cost of editing a 5-minute clip.
03 · Agent-native surface
Every editor action is an agent tool.
The timeline, media library, transcripts, and renderer are exposed as tools your agent can call directly — the same way it calls file or shell tools. Ask, and it edits.
04 · Search by what's on screen
Find clips without naming a file.
Describe what you want — “the b-roll where someone holds a coffee cup” — and your agent finds it, locates the exact frames, and cues it up for the cut.
05 · Text, titles & overlays
Lower-thirds, callouts, animated titles.
Compose text and graphics in familiar web languages your agent already writes. Reusable, scriptable, and scoped to the clip or the whole timeline.
06 · Multi-track timeline
Real NLE semantics, not a toy.
Frame-accurate cuts, ripple edits, multiple video and audio tracks, transitions. A documented project format any agent can read, manipulate, and export.
07 · Local-first preview
Scrubbing never waits on the network.
Your footage is prepared on your Mac so playback stays instant. Analysis runs in the background — the timeline never blocks, even on a flaky connection.
08 · Export
Standard MP4, rendered on your machine.
Your originals never leave your Mac. Hand the output to YouTube, Final Cut, or another editor — no proprietary containers, no lock-in.